biography.

Composer Gregory W. Brown’s works have been performed across the United States and Europe — most notably in Weill Hall at Carnegie Hall in New York City, Cadogan Hall in London, and the Kleine Zaal of the Concertgebouw in Amsterdam. His commissions for vocal ensemble New York Polyphony have been heard on American Public Media’s Performance Today, BBC Radio, Minnesota Public Radio, Kansas Public Radio, and Danish National Radio; his Missa Charles Darwin received its European debut in March 2013 at the Dinosaur Hall of Berlin’s Museum für Naturkunde.

Brown’s 2015 CD of original choral and vocal works — Moonstrung Air — was Q2’s Album of the Week for Feb 16th: “[Brown’s] command of transcendent sound is constant” and Gapplegate Classical-Modern Review remarked: “The performances are exemplary, the sound excellent and the compositions show us that Gregory W. Brown takes to vocal writing as a natural. The music has eloquence, verve and old-in-new panache.”

Brown’s cantata — un/bodying/s — was commissioned and premiered by two-time Grammy-winning Philadelphia choir The Crossing in June 2017 and released on Innova Records in 2018. This 35-minute cantata for 24 voices uses new texts by poet Todd Hearon and focuses on issues of displacement and ecology around the creation of the Quabbin Reservoir. Gramophone’s review of un/bodying/s remarked that “[Brown's] writing is lively and affecting, full of exhilarating lines amid pungent details.”

​Recent commissions include works for Variant 6, Grammy-nominated Skylark Ensemble, The Portsmouth Symphony Orchestra, and Malta Philharmonic Orchestra.

Publications.

The Wind That I Love the Best

$3.75